Artist: King Tuts Tomb
Links:
https://www.facebook.com/KingTutsTomb
http://kingtutstomb.bandcamp.com/
It's been said that visceral emotional
reactions can transform memories into trauma. So too with King Tuts
Tomb. What burns them into our psyches is the coupling of ominous
synth-scapes with memorable turns-of-phrase. On “Debra,” over a
sensual synth progression, we get a tender baritone ruminating on his
May-December romance, “Hey Debra / I just want you to know / I love
ya / And even though you're so much older than me / The way I look at
it / I have so much to learn from you.” Call it serious, or
seriously hilarious, it's moments like these that have King Tuts Tomb
following in the footsteps of true Chicago originals like Jesus
Lizard, Wesley Willis and Steve Albini.
As Pissed Jeans did on its heralded
“The Jogger,” King Tuts Tomb reels listeners in with mentions of
contemporary calling cards, e.g. dating websites (“She Walked
Away”), technical schools (“Mass Produxion”), and the VFW
(“frozen in time”). On “She Walked Away,” KTT interpolates
the spoken word -- “I had a job / I was a success / I made money /
A big business” -- with sneering howls rivaling those of
Mudhoney/Green River's Mark Arm (also on “Annihilation”).
King Tuts Tomb tops this cocktail with
a singularly varied menu of garnishes: falsetto (“Bucket of
Blood”), Casio samples (“Bucket of Blood”), pulsing
instrumentals (“Soul Looker”), low-in-the-mix guitar leads
(“Oracle”), rap (“Tombsday”), as well as Euro-industrial
pronouncements akin to Atari Teenage Riot, KMFDM and My Life with the
Thrill Kill Kult (“Disappear”).
“[F]rozen in time” unfolds in KTT's
typically unpredictable fashion: prominent bassline;
silly-yet-sophisticated keyboard notes; hand-claps; a “frozen in
time” hook set off by catchy 80's keys that belong under the same
banner as NIN's Pretty Hate Machine; and a trip down memory lane
underscored by emotive synths.
But if I had to describe the music of
King Tuts Tomb in a sentence, it would be this: It's a
room-temperature, vomit-inducing milkshake.
(And that's a good thing.)
*** The author of this review,
Andrew Baker, plays the uruttu chenda for the following band:
http://youtu.be/tMS73-1kCr8
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