Artist: Knightlife
Links:
https://www.facebook.com/Knightlife5150
http://www.knightlife-band.com/
What's in a band's name? For
Knightlife, it turns out quite a bit. Because figuring prominently
throughout their debut EP is the fine fretting of their titular
founder, lead guitarist Bruce Mac Knight. It should come as no
surprise then that the standout lead track, “Otherside,” also
serves to define Knightlife right out of the gate as a guitar band,
first and foremost.
Mac Knight leads with over a
half-minute of muscular riffage, replete with a triumphant tone
recalling the fabled “brown sound” of inveterate tone-chaser
Eddie Van Halen. (Compare the introductions of Van Halen's “Ain't
Talkin' 'Bout Love” from 1978 with “You and Your Blues” of
2012.) From there, the chord progression of “Otherside” hearkens
back to that other guitar giant, Pete Townshend, who miraculously
rivaled the American chart success of his mainstay, The Who, with
1980's “Let My Love Open the Door.”
Since Knightlife is a supergroup formed
from the ashes of two distinct entities, these musical compatriots
immediately seized on their evident chemistry to get busy writing
this accomplished release. But because they did so, we get lyrics
that are a bit more “process” in nature – think, topics tending
to rock 'n' roll (Kiss) rather than the relatively relatable sex
(Guns N' Roses) and relationships, or drugs (Alice in Chains) and
vice.
But now that Knightlife is sharing the
stage with national touring acts in the promotional stage of their
album cycle, their next writing confab should result in lyrics
reading like spoils of war/tour. This will play to the strengths of
the vocalist, who possesses the versatility of a singer like Kevin
Martin (Candlebox), who can emote about those all-consuming
relationships that make sex, drugs and rock 'n' roll desirable
outlets in the first place. (Indeed, Knightlife's sensitive side is
already on display with “Insomnia.”)
And that rhythm section. Whether it be
the hard-charging RATM-like bass intro to "Breakout,"
down-shifting musical bridge of "Otherside" (2:52), or
chill closeout to "Insomnia" (3:50), with Knightlife we get
dexterous drums and bass, song-appropriate all.
Catch them during this, their live
phase. Because built-in into Knightlife's rock and roll is
crowd-pleasing musicality. From the rhythmic interplay of that
“Otherside” introduction, to the guitar tapping of “Breakout”
(at 2:20), Knightlife is a band that could end up serving as the
soundtrack of your night (or life).
*** The author of this review,
Russell Hughes, plays the mrdanga for the following band:
http://youtu.be/tMS73-1kCr8
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