Artist: Spider to the Fly
Link:
https://www.facebook.com/SpiderToTheFly
“The Spider and the Fly” is a
centuries-old poem that has the titular arachnid trying to tempt a
fly back to its lair with the promise of a pad that is visually
pleasing and contains “many curious things.” So why did the
spider lie to the fly? 'Cause the truth just wouldn't have worked:
Come back to my place, I'll have my way with you, and you'll be worse
for the wear.
Spider to the Fly is the duo of Jack
Collier and Sid Blastfemmy, who pitch-shift and collaborate their way
into musical anarchy. With the instrumental involvement of ROMANCE
(the “A” is a delta symbol), Spider's jazzy electronica recalls
Q-Tip/Tribe Called Quest on “Mad Girl's Love Song,” and the
Cataracs/DEV's “Bass Down Low” on “Boys Cry.” “Boys Cry”
begs the question: Can Jack and Sid be called a duo when they
continuously create out of whole cloth multiple persona like Nicki
Raw? Not since Kelis' "Milkshake" have we had a fem-figure
whose refrain (“I make the boys cry”) brings all the boys to the
yard. Among other things, Nicki and her crew prefer “sticky, icky
treats from scummy nocturnal freaks” and are quick to remind: “You
ain't gonna find this, take a phone pic, this is new shit / I'm
fucking Nicki Raw with a chain saw.”
On “Mad Girl's Love Song,” a vocal
effect set to devil [not unlike Tyler the Creator's Goblin]
introduces what throughout the song serves as a welcome rhythmic
hook: “Demon in the dark, demon in the bed, I think I made you up
inside my head.” This is joined by an upper-register rap
[reminiscent of Eazy-E] that is suitably provocative in mixing the
high (“All the little boys on the playground stand out / But I'm
the one that you picked out”) with the low ("Eat my heart out,
get me fucking hard now / ... Bloody when we make out"). The
fascinating sounds of 2:49 are only the preface to the memorable
closing lines, e.g. “Six, six, six / I like his dick / Gonna take
me to the coffin with his trick.”
It wouldn't be off-base to suggest that
Spider to the Fly's "Spit" expounds on the art of
self-pleasure: "we drop it like we're screwing," "I'm
a self-inflicting whore," "with this hand I masturbate,"
"preacher says I'll go to hell," "spit works fine,"
"right hand sticky," "I'm playin'," "watch
me go," "don't preach to me I'm big girl," and "I've
got my big girl appetite."
Indeed, the narrators and characters
are as tantalizingly aggressive as the music itself. It's not Fly to
the Spider. It's Spider to the Fly. And that makes all the
difference.
*** The author of this review, Sean
Hamilton, plays the okedo-daiko for the following band:
http://youtu.be/tMS73-1kCr8
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